Miracle watts dating august

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Topographics 1. Romania History 2. Romania Civilization I. Title What I hope to do is to describe and explain a country. But can a country be contained within a book? Yes and no. Reality is multiform and inexhaustible, while any representation of it cannot avoid being limited and simplified and inevitably subjective.

One country, but so many viewpoints! One history, but so many ways of reconstructing and interpreting it! No image can ever be identical with the object it represents. We can only see things from one point of view. And the more complex the reality, and the more numerous the vantage points from which it can be observed, the more our collection of images gains in diversity.

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To the adaptation and distortion of reality through the image, viteză dating oshawa must also add its adaptation and distortion through the word. Without words, we could express nothing, but these very words force reality into certain pre-established mental moulds. Words are too abstract, too poor and too rigid to give a faithful rendering of the endless richness and depth of the universe.

We can, of course, summarize things, and we do so all the time, by means of a few selected images and symbols. A dichotomy of archetypes has operated for as long as human communities have existed: identity versus alterity. We, with all our characteristics, are who we are, and others are different; they have characteristics of their own. In fact, people resemble each other more than they differ, and so do communities.

But can we do without distinctions? It would appear not. So we pick out differentiating features, bring them into the open miracle watts dating august turn a spotlight on them. Thus we construct ourselves and the other. There is a considerable element of caricature in this process. People and communities end up differing from each other much more in the realm of the imaginary than they do in reality.

They may not be entirely untrue, but they are not entirely true either. How far do they represent the country or people of which we are speaking, and how 7 far do they represent us, our manner of seeing and understanding things? Nearly 2, years ago, Herodotus, the father of history, sketched a complete picture of the known world for the first time.

One after the other, he paraded a multitude of lands and peoples before his readers. But is this the real world, we may ask, or is it a Greek adaptation of the real world, an image of others seen from a Greek point of view? To ask such a question is already to answer it. Nowadays, we are certainly much better informed, but I doubt if we are any more objective or detached from our prejudices than Herodotus was.

We may be looking at something that is well defined, miracle watts dating august we are still looking at it with our own eyes. A country can be multiplied endlessly. It is made up of a multitude of people and things, each with their own individuality. It is a miracle watts dating august that is, not a static picture, but a film made up of multiple sequences.

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And it is not only what we see now and what once was but also the consciousness of people about the present and the past, about themselves, indeed about site- ul dating bali. What people think and imagine is as significant as if not more significant than what actually happens.

Reality and the imaginary are bound together in a host of lives, acts and thoughts. And all of these continue to multiply, in all sorts of variants, distorted to a greater or lesser degree in relation to reality according to the perspective of the observer.

How are we to make a synthesis?

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What is worth retaining and what is not? There are no simple answers to these questions.

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To imagine that a country is one is to ignore the diversity of the elements that make it miracle watts dating august and the fact that these can be combined in countless syntheses. Like any other country, Romania can be simplified and can be multiplied into all sorts of images and symbols.

Mihaela Şt. Moldova Tehnoredactare computerizată, grafica şi editarea revistei: Ing. Reference herein to any specific commercial products, process, or service by trade name, trademark, manufacturer, or otherwise, does not necessarily constitute or imply its endorsement, recommendation, or favouring by the UTCB. The views and opinions of authors expressed herein do not necessarily state or reflect those of UTCB, and shall not be used for advertising or product endorsement purposes. Religion-Religiosity State-Nation

Seen from the West, its location alone is enough to make it seem an almost exotic land: somewhere out there, on miracle watts dating august margins of Europe. We can recognize here the same logic that we met in Herodotus: the further away others are from us, the more different they are perceived to be. The tale of Dracula fits perfectly into this system of representations.

When the famous novel first appeared, Transylvania belonged to Hungary, and Count Dracula himself was a Magyar, not a Romanian, aristocrat. Romania inherited the myth, along with the respective territory, in Draculas home could not have been placed in the Alps too close to the heart of Europe or in Tibet too far away.

The Carpathians offered just the right setting: on the edge of Europe, where Western civilization gives way to something 8 already different. The Romanian space represents, for the West, the first circle of otherness: sufficiently close for the curious configurations and disturbing forms of behaviour which Westerners find there to be highlighted all the more strongly. Two Western writers give us striking portrayals of Romania as it was shortly before the Second World War: a country looking back on a century of modernization which had brought it ever closer to the structures and culture of the West.

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Romania had never been better integrated into Europe. Bucharest had long been spoken of as a Little Paris. Our two authors are very different: Paul Morand, an urbane Frenchman married to a Romanian and with many impressive connections in Romanian society, and Olivia Manning, a young Englishwoman, withdrawn, frustrated and little inclined to look favourably on things.

The former published his essay-volume Bucarest inwhile the latters Balkan Trilogy, the first two volumes of which The Great Fortune and The Spoilt City are set in Romania in the periodappeared somewhat later, in the s.

The former treats the country sympathetically; the latter cannot conceal her antipathy.

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What is remarkable, given the differences between these two writers, is their fundamental agreement regarding the character miracle watts dating august Romanian civilization. To both, Romania presented itself as a country only partially integrated into European civilization, a country of the margins, still characterized by a pronounced substrate of primitivism and a strange amalgam of modern urban life and rustic survivals.

In Bucharest, Morand noted with amusement, Ford automobiles shared the road with ox-carts. So much for Little Paris! Manning saw the citizens of Bucharest more or less as peasants, some openly so, others as peasants dressed up in city clothes. Her Romania was a fluid, insecure world, where nothing was really taken seriously. For Morand, on the other hand, the un-Western mentality was a positive quality, a lesson Romanians could offer Westerners about adaptability, indulgence, optimism, the ability to pass through history without caring precisely the things which irritated Manning!

What we are left with is the fact that the Romanians are perceived as a people apart, animated by a different spirit to that of Western nations: a certain lightness in living which separates them from the responsible seriousness of the West. While the West defines itself as an ordered and predictable world, Romania occupies a vague and unpredictable space. In this connection, top marks must go to Dracula, amply assisted by Ceausescu with his extravagant variety of Communism.

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And there has been so much in recent years to confuse or repel Western observers: a bloody revolution still cloaked in mystery, the miners devastating onslaughts on Bucharest, the intolerable situation of children abandoned in the street or infected with AIDS. All of these, taken out of context, have become negative symbols of Romania.

At the other extreme, we have the enticing bucolic image of the country promoted by the tourist industry: the beauties of nature, picturesque locations, the hospitality of the people, the originality of traditional crafts and folksongs.

In between these extremes, there are, of course, all sorts of other images. How much is true, and how much is untrue? What can I do myself but select and interpret in the light of my own opinions? At least I can try not to make excessive simplifications, and to explain as much as possible. Romania is certainly more normal than the more extreme interpretations would make it seem.

Of course, it has its specific characteristics.

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But these should not be thought of as absolutes. I doubt if there is such a thing as a typical Romanian. Romanians differ among themselves, and at the same time they have much in common with people everywhere. The regions of Romania also present a varied picture. When all of these elements are brought together, the resulting synthesis will present certain characteristic traits perhaps, for a Westerner, even oddities.

There is no timeless Romania, however. It is my view that the countrys distinctive miracle watts dating august are to be explained by history and by the current miracle watts dating august situation. Todays Romania does not much resemble yesterdays. Nor will the Romania of tomorrow be much like that of today.

What follows, then, does not pretend to present Romania in all miracle watts dating august aspects: it is a personal miracle watts dating august, my Romania. From a strictly geographical point of view, it is not hard to see that the Balkan peninsula does not include Romania.

Its northern limit is formed by the Danube, and Romania, with the exception of Dobrogea the region framed by the Danube to the west and north and the Black Sea to the east lies north of the Danube. And yet it is not just land, mountains and rivers that define a space of civilization.

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In fact, as the result of a long history and many human and cultural contacts, Romania is in many ways a Balkan country. The Danube unites more than it separates.

In Antiquity, Thracian tribes occupied both the northern half of the Balkan peninsula and the present territory of Romania.

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